During the New Orleans Mardi Gras of 1932, an oft drunk newspaperman falls in with a single-minded daredevil pilot, his beautiful wife, his long-suffering engineer, and his loving son, hoping to sniff out a human story, much to the chagrin of his facts-loving, conservative editor, in Sirk’s strikingly shot though only mildly entertaining melodrama, which is hamstrung somewhat by hammy dialogue, uneven performances, and a horribly insistent score. Iain.Stott
Tuesday, 21 September 2010
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