Perhaps his most affecting film, Godard’s Eloge de l'Amour, a vaguely esoteric and contentious exploration of love, history, and globalisation, is presented in two parts: the first, sumptuously shot in black and white, concerns a young Parisian’s attempts to understand what it means to be an adult through a project he is preparing; the second, set two years earlier and filmed with strikingly unconventional colour photography, details a Hollywood company’s purchasing of an elderly couple’s wartime resistance memories. Iain.Stott
Friday, 5 November 2010
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